Language, Discourse, Society Series Editors: Stephen Heath, Colin MacCabe and Denise Riley Selected published titles: Regenia Gagnier INDIVIDUALISM, DECADENCE AND GLOBALIZATION On the Relationship of Part to Whole, 1859–1920 Jennifer Keating-Miller LANGUAGE, IDENTITY AND LIBERATION IN CONTEMPORARY IRISH LITERATURE Matthew Taunton FICTIONS OF THE CITY Class, Culture and Mass Housing in London and Paris Laura Mulvey VISUAL AND OTHER PLEASURES 2nd edition Peter de Bolla and Stefan H. Uhlig (editors) AESTHETICS AND THE WORK OF ART Adorno, Kafka, Richter Misha Kavka REALITY TELEVISION, AFFECT AND INTIMACY Reality Matters Rob White FREUD’S MEMORY Psychoanalysis, Mourning and the Foreign Body Teresa de Lauretis FREUD’S DRIVE Psychoanalysis, Literature and Film Mark Nash SCREEN THEORY CULTURE Richard Robinson NARRATIVES OF THE EUROPEAN BORDER A History of Nowhere Lyndsey Stonebridge THE WRITING OF ANXIETY Imaging Wartime in Mid-Century British Culture Ashley Tauchert ROMANCING JANE AUSTEN Narrative, Realism and the Possibility of a Happy Ending Reena Dube SATYAJIT RAY’S THE CHESS PLAYERS AND POSTCOLONIAL THEORY Culture, Labour and the Value of Alterity John Anthony Tercier THE CONTEMPORARY DEATHBED The Ultimate Rush Language, Discourse, Society Series Standing Order ISBN 978–0–333–71482–9 (hardback) 978–0–333–80332–5 (paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England r.gagnier@exeter.ac.uk
Related Papers
Individualism Decadence and Globalizati
Regenia Gagnier
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Decadent Interiority and the Will
Individualism, Decadence, and Globalization: on the Relationship of Part to Whole, 2010
Regenia Gagnier
The modern roots of Decadence as a relationship of parts or extremities to the whole were in 1830s American Gothic and British Aestheticism. Edgar Allan Poe elevated disease, perversity, and decay to new heights of artistic expression. Although Poe’s succcess in the United States was trivial until he was discovered by Charles Baudelaire, his perversity and Alfred Tennyson’s celebrity — in the words of the latter’s Ulysses “I am become a name” — were the two touchstones of decadence: the naturalistic uniqueness of the individual psyche and the recognition of modern “brand” or personal commodification that would be central to modern individualism. Baudelaire took up the first in Les Fleurs du Mal, censored by the French state in 1857, and the latter in the figure of the Dandy in The Painter of Modern Life (1863). He had begun translating Poe (culminating in 5 volumes) in 1848, and thereby turned from Romantic nature to more fragmented urban perspectives and personalities.
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Individualism Decadence and Globalization
Individualism, Decadence, and Globalization: on the Relationship of Part to Whole, 1859-1920, 2010
Regenia Gagnier
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Towards a Global Ecology of the Fin de Siecle
Literature Compass, 2006
Regenia Gagnier
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Literary Alternatives to Rational Choice: Historical Psychology and Semi-Detached Marriages
English Literature in Transition 1880-1920, 2008
Regenia Gagnier
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Cultural Philanthropy, Gypsies and Interdisciplinary Scholars: Dream of a Common Language
19: Interdisciplinary Studies in the Long Nineteenth Century, 2005
Regenia Gagnier
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Sarah Collins, 'The Composer as "Good European": Musical Modernism, Amor fati and the Cosmopolitanism of Frederick Delius ' Twentieth-Century Music 12.1 (2015): 97-123
Sarah Collins
This article argues that early twentieth-century debates about both musical modernism and the idea of Europe were conditioned by prevailing attitudes towards autonomy. It will challenge the current rendering of modernist autonomy as depoliticized, by showing how the attribution of ‘cosmopolitan’ characteristics to the music and persona of Frederick Delius indicated both an absence of affiliation and a definitive marker of Englishness. Underpinning this argument is the idea that attending to the dialectical interplay between independence and cooperation in the notion of ‘rooted cosmopolitanism’ can offer a model for a renewed conception of autonomy and commitment in musical modernism. Delius’ devotion to the writings of Friedrich Nietzsche, and Nietzsche’s own analysis of European nihilism, will act as the backdrop to this discussion, and help to suggest how both ‘Europe’ and musical modernism can be understood—via the notion of cosmopolitanism—as dispositions extending beyond their conventional geographical and historical demarcations.
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Vestures of the Past: The Other Historicisms of Victorian Aesthetics
PhD dissertation, 2019
Timothy Chandler
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From barbarism to decadence without the intervening civilization: or, living in the aftermath of anticipated futures
Feminist modernist studies, 2021
Regenia Gagnier
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